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Abstraction
Abstraction
Abstraction

Abstraction

Artist Paul Burlin 1886 New York, New York - 1969 New York, New York
Date1918
Mediumoil on canvas
Dimensions20 × 16 in. (50.8 × 40.6 cm)
ClassificationsPainting
Credit LineAlbuquerque Museum, gift of Don and Judy Williams
Object numberPC1992.47.1
DescriptionColor palette of earth tones depicting an abstracted scene of a person descending a stairway with dramatic shadows and geometric abstractions.
On View
On view
Collections
  • Common Ground 2021
Text Entries

Paul Burlin

1886 New York, New York – 1969 New York, New York

Abstraction
1918

oil on canvas
gift of Don and Judy Williams

PC1992.47.1

 

In the early 20th century Paul Burlin was among the most cutting-edge artists working in New Mexico. His understanding, library, and works of art were an ongoing source of inspiration and probably confusion for the budding art scene. This painting, unhelpfully titled Abstraction, is actually based on figures descending a dramatically lit, dark wooden staircase in a house in Santa Fe. While in New Mexico, Burlin mostly painted portraits of Native Americans, landscapes, and scenes of local daily life. These themes sold well in New York, but it was works such as Abstraction that brought modernist aesthetic ideals and new methods of looking at the 20th century world to the American Southwest.

Abstracción

1918

óleo sobre lienzo

obsequio de Don y Judy Williams

PC1992.47.1

 

A principios del siglo XX, Paul Burlin era uno de los artistas más vanguardistas de Nuevo México. Su clarividencia, estudio y obras de arte eran una fuente inagotable de inspiración y, probablemente, de confusión en la incipiente escena artística. Esta pintura, titulada torpemente Abstracción, en realidad está basada en una serie de figuras que descienden de una escalera de madera oscura iluminada con gran dramatismo de una casa de Santa Fe. Mientras residió en Nuevo México, Burlin pintó sobre todo retratos de indígenas americanos, paisajes y escenas de la vida cotidiana. Estos temas se vendían bien en Nueva York; sin embargo, fueron obras como Abstraction las que llevaron al Sudoeste estadounidense los ideales estéticos y los nuevos métodos modernistas de ver el mundo en el siglo XX.

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