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Chavez Ravine V
Chavez Ravine V
Chavez Ravine V

Chavez Ravine V

Artist Clinton Adams 1918 Glendale, California - 2002 Albuquerque, New Mexico
Date1951
Mediumoil on canvas
Dimensions20 x 36 in. (50.8 x 91.4 cm)
ClassificationsPainting
Credit LineAlbuquerque Museum, gift of the artist
Object numberPC1997.14.1
DescriptionHighly sylized landscape. The painting is divided by vertical lines (street lights and telephone poles) into a triptych of sorts.
On View
On view
Collections
  • Common Ground 2021
Text Entries

Clinton Adams

1918 Glendale, California – 2002 Albuquerque, New Mexico
Chavez Ravine V
1951
oil on canvas

gift of the artist

PC1997.14.1

 

After completing military service during World War II, Clinton Adams was hired as an art professor at UCLA where he taught landscape painting. Always on the lookout for interesting environments for his students to paint, Adams became fascinated by the spontaneously constructed buildings and streets of the Los Angeles community of Chavez Ravine. With his modernist vision, Adams converted old homes and power poles into a jazzy cacophony of angles, planes, and vivacious colors. By the end of the 1950s the Mexican American neighborhood had been demolished to make way for a federally financed housing project. In the 1960s the development vision had changed and the land was used as the site of a baseball stadium for the Los Angeles Dodgers.  The neighborhood that so inspired Adams and his students in the 1950s is now mostly a parking lot, surrounding the stadium.

Chavez Ravine V

1951

óleo sobre lienzo

obsequio del artista

PC1997.14.1

 

Tras finalizar el servicio militar durante la Segunda Guerra Mundial, Clinton Adams fue contratado como profesor en UCLA donde impartió clases de pintura paisajística. Siempre a la búsqueda de entornos interesantes que sus alumnos pudieran pintar, Adams quedó fascinado por los edificios y calles construidos de forma espontánea de la comunidad «Chavez Ravine» de Los Ángeles. Con su visión modernista, Adams convirtió las viejas casas y los postes de electricidad en una vibrante cacofonía de ángulos, planos y colores vivos. A finales de la década de 1950, el vecindario mexicoamericano había sido demolido para dejar sitio para construir un proyecto de viviendas financiadas con fondos federales. En la década de 1960 la visión urbanística había cambiado y el terreno se utilizó para construir el estadio de béisbol de Los Angeles Dodgers.  El barrio que tanto inspiró a Adams y a sus alumnos en la década de 1950 hoy es en su mayor parte un estacionamiento alrededor del estadio.

Terms
    Triad IV
    Clinton Adams
    1980
    Backstage III
    Clinton Adams
    1953
    Ampurias
    Clinton Adams
    1990
    Attica
    Clinton Adams
    1985
    Collioure IV
    Clinton Adams
    1986
    Costa Dorada II
    Clinton Adams
    1988
    House of Cards II
    Clinton Adams
    1996
    Celebration
    Clinton Adams
    1989
    Birth Of Venus
    Clinton Adams
    1976
    Birth Of Venus II
    Clinton Adams
    1976